A24's Elizabeth Holmes documentary, "You Can See Everything," will debut at NYFF64 on September 30 and hit theaters on October 16.


The Current State of Documentary Filmmaking
Documentary filmmaking has gone through a significant transformation in recent years. With platforms like Netflix and HBO leading the charge, the genre has evolved from niche audiences to the mainstream spotlight. This shift has introduced a wide range of cinematic styles and storytelling techniques. As a result, viewers are now expecting more than just factual reporting; they want emotional engagement, personal narratives, and often, an entertaining angle. Documentary films are no longer merely vehicles for information; they’re crafted experiences that can leave lasting impressions. In this environment, A24's latest release, You Can See Everything, attempts to carve its niche while echoing some critical realities of Silicon Valley's culture.
New Documentary Unveiled
A24 made waves with the surprise premiere of Nathan Fielder and Lance Oppenheim's documentary You Can See Everything at the Telluride Film Festival last weekend. This marked a significant entry into the crowded fall film season, generating anticipation for its next appearance. Telluride, known for showcasing innovative films before they hit broader audiences, provides fertile ground for films like this one. There’s an air of exclusivity surrounding festival debuts, which can dramatically influence a film’s critical reception and market potential. By debuting here, You Can See Everything has likely positioned itself strategically for both critical acclaim and audience curiosity.
New York Film Festival Screening
Film at Lincoln Center has confirmed that the film will receive its New York premiere on September 30 in the Spotlight section of the 64th New York Film Festival. The event at Alice Tully Hall will feature appearances by Fielder and Oppenheim, further enhancing the film's visibility in a competitive market. The Spotlight section is typically reserved for films that are poised to generate significant buzz, which speaks volumes about the anticipated impact of this documentary. What’s intriguing is how the presence of the filmmakers at such events can set expectations, frame discussions, and even influence viewers' interpretations of the film. For a documentary centered on a polarizing figure like Elizabeth Holmes, these conversations can shape public perception far beyond the screening itself.
Theatrical Release Date
A24 has also announced that You Can See Everything will arrive in theaters on Friday, October 16, according to a report from the New York Times. Securing a theatrical release is a critical step for A24, especially for a film that explores themes of ambition, deceit, and personal struggles. In an era where streaming content often overshadows theatrical releases, the choice to show the film in cinemas underscores its importance. This is more significant than it looks, as it suggests A24 believes in the film's potential to resonate with audiences on a deeper level—one that the big screen may particularly amplify.
Film Synopsis
The NYFF synopsis describes a film that deeply scrutinizes Elizabeth Holmes, former CEO of Theranos, who has become synonymous with Silicon Valley skepticism. Inviting Fielder into her home just 34 days before her prison sentence, Holmes and her partner, William ‘Billy’ Evans, share their truths, raising questions about their motivations and perceptions in front of the camera. This multifaceted portrait challenges conventional documentary expectations, combining humor and self-reflection to create a captivating narrative. From the outside, Holmes represents a cautionary tale; however, through this documentary lens, the audience may find themselves wrestling with more profound ethical questions. How much of our understanding of someone's motives is clouded by sensationalism? It's a compelling topic that is particularly relevant in today's celebrity culture.
Check out the teaser below, along with additional details on the official NYFF site.

Implications and Future Outlook
The release of You Can See Everything comes at a pivotal moment for both the documentary genre and the tech industry narrative. As the story of Elizabeth Holmes continues to evolve, the film captures a moment in time that confronts the public's fascination with failure and ambition in Silicon Valley. It’s a reflection on the reality that not all entrepreneurial dreams come true, even when they seem inevitable. If you're working in this space, this documentary might fuel conversations around ethics, accountability, and the pressure to succeed at all costs. The themes explored here could resonate across various sectors beyond tech, affecting how narratives of success and failure are presented in media. The spectacle of Holmes’ fall from grace reverberates much broader; it serves as a warning as much as it entertains.
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