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Philly's They Are Gutting A Body Of Water Readies New Mixtape with Notable Collaborations

RELEASE Oct 08, 2026 VIEWS 926 DESK Tom Breihan

They Are Gutting A Body Of Water announces the release of their upcoming mixtape, featuring a lineup of exciting collaborations.

Philly's They Are Gutting A Body Of Water Readies New Mixtape with Notable Collaborations

They Are Gutting A Body Of Water, a standout in the Philadelphia underground scene, is set to launch KOOL FAITH / LOOSIES II, a mixtape packed with 29 tracks and numerous guest appearances. Collaborators include RXKNephew, Greg Mendez, Spirit Of The Beehive, and Hotline TNT. Following their announcement last month, the collective has now unveiled two new singles ahead of the release.

Exploring the Philadelphia Underground Scene

Philadelphia’s underground music scene is rich and diverse, giving rise to innovative artistry across genres. They Are Gutting A Body Of Water exemplifies this ethos, consistently pushing the boundaries of sound within an industry often dominated by mainstream artists. This collective thrives on collaboration, drawing from various influences and styles that resonate on multiple levels. The underground scene historically serves as a breeding ground for experimental and avant-garde sounds. Unlike commercial artists, who typically aim for mass appeal, groups like They Are Gutting A Body Of Water seek to challenge listeners. By connecting with other unique voices, they create a compelling tapestry of sound.

Details of the Mixtape and Collaborations

The upcoming mixtape, KOOL FAITH / LOOSIES II, highlights the collective's ability to stitch together tracks from various contributors while maintaining a cohesive sound. Featuring a total of 29 tracks, the mixtape isn't just a collection; it’s a testament to their collaborative spirit, with artists like RXKNephew and Greg Mendez adding their distinct crafts to the mix. Each guest appearance is significant because it introduces a fresh perspective, creating variations that keep the listener engaged. The collaborations extend beyond musical backgrounds. For instance, Spirit Of The Beehive brings a particular texture with their experimental side, while Hotline TNT offers a punchy style that contrasts with the mixtape's overarching atmosphere. These interactions often yield unexpected results that enhance the artistic value and expand their reach.

A Closer Look at the New Singles

The release of the singles "illusion hue" and "am i wrong" serves as a strategic precursor to the mixtape launch. These tracks help set the tonality for what listeners can expect. "illusion hue," featuring Toner – a solo project by Samuelito Cruz – exhibits a melodic shoegaze sound that could appeal to fans of dreamy aesthetics and layered soundscapes. The allure of shoegaze lies in its ability to envelop listeners in a wall of sound, and "illusion hue" appears poised to fulfill that promise. On the other hand, "am i wrong" dives into the haziness of sound textures, showcasing the collaborative efforts with local act A Country Western and one-man Texas project Dead Sullivan. The combination suggests an eclectic style, drawing from elements of indie rock and lo-fi, enriching the mixtape's overall narrative.

Upcoming Releases from Collaborators

It’s interesting to note the timing of individual releases from collaborators. For instance, Toner’s upcoming album Dynasty House coincides closely with the mixtape’s drop. This alignment can create a positive feedback loop—fans of They Are Gutting A Body Of Water might be more inclined to discover Toner’s work, fostering cross-pollination among listener bases. Similarly, A Country Western’s LP Audition Tape is set to be released shortly after, ensuring that attention is not only focused on They Are Gutting A Body Of Water but also on the affiliated artists. This is a savvy approach, ensuring that the spotlight shines on a group of artists rather than a single entity. (And this is the part most people overlook—the collaborative aspect creates a network effect that benefits everyone involved.)

The Release Strategy: Digital and Physical

KOOL FAITH / LOOSIES II will launch digitally on October 16, with a physical release to follow on November 20 through ATO Records and Julia's War. Offering both formats recognizes the evolving consumption habits of music listeners. Digital access allows for immediate engagement, while the physical release caters to collectors and enthusiasts who appreciate tangible media. This dual-release strategy indicates awareness of different audiences. Listeners who favor digital might flock to streaming platforms for immediate access, whereas vinyl enthusiasts will await the physical release with anticipation.

Implications for the Underground Music Community

The successful launch of KOOL FAITH / LOOSIES II could have several implications for Philadelphia's underground music community. If well received, it may encourage similar collectives to adopt collaborative models, recognizing the potential for increased reach and creative execution. Collaborative projects can birth new genres and revive local scenes. They merge artistic expressions in ways that solo projects often can't, giving rise to hybrid sounds that defy traditional categorizations. This collective model parallels historical movements in music, where collaboration among artists has often led to the birth of genres like punk, experimental rock, and more. What this means for you... If you're working in this space, you might want to rethink how you approach your next project. Collaboration seems to be the key, as the blending of sounds and styles might yield the most compelling results. In an age where differentiation is paramount, this mixtape serves as a reminder that sometimes, coming together can be the strongest statement of all. Overall, KOOL FAITH / LOOSIES II is shaping up to be more than a mixtape; it’s an opportunity for burgeoning artists to stake their claim in an aggressive market. The collective's efforts can serve as an inspiration to others navigating the murky waters of the music industry.
Source: Tom Breihan · stereogum.com

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